CATCHING PHOTONS - ROLL VIII
PHOTOGRAPHY BY JANOSCH ORLOWSKY
Being a filmmaker and working in TV and entertainment industry, photography helps to improve my visual craft and to stay attentive.
36 more singular thermodynamic states: Portrait, Street, snapshots.
Photographs not for sale.
Page best viewed on desktop. Reduced image quality and size.
Downloading, copying and distribution strictly forbidden.
Copyright:
© Janosch Orlowsky
36 more singular thermodynamic states: Portrait, Street, snapshots.
Photographs not for sale.
Page best viewed on desktop. Reduced image quality and size.
Downloading, copying and distribution strictly forbidden.
Copyright:
© Janosch Orlowsky
A while ago I was asked why I love black and white that much.
It's easy to walk the streets with a long lens and pick details looking like pack shots.
Long focal lengths help reducing information by a tight frame.
This includes reducing color information to achieve very graphic images - in color.
A 135mm might be a perfect art director's tool...
It's easy to walk the streets with a long lens and pick details looking like pack shots.
Long focal lengths help reducing information by a tight frame.
This includes reducing color information to achieve very graphic images - in color.
A 135mm might be a perfect art director's tool...
802
X-ing
2016
803
Construction Light
2016
804
Rear Light detail
2016
805
Digi Super 86 II
2016
806
Type 991
2016
807
Pigeon
2016
808
Lotti in Trenchcoat
2016
To achieve similar results with much shorter lenses, you need to get pretty close - or the scenery needs to be much bigger.
809
Ventilator
2016
810
Spinning Wheel
2016
811
Here comes the sun
2016
812
Ocean pulls me close
2016
813
Angel Wings
2016
814
Smoking
2016
815
Nightsky
2016
816
Brik
2016
817
33/45
2016
818
Ceiling Lights
2016
819
Alien Lights
2016
820
Heat Up
2016
Besides having a good eye, to achieve good photographs you need to master time.
Mastering time means being attentive, anticipating, knowing the craft and be there right on spot.
Shooting static situations, landscapes or dead objects is less challenging (to me).
You might need to wait for the right light or pick an interesting angle / perspective.
But it's a little bit like shooting a sitting duck.
A building, a landscape or a dead object can't run away, it changes less than a human in motion.
Density of (visible) pulses is far inferior to human life.
Therefore it is less challenging to get amazing images of (rather) static things.
Mastering time means being attentive, anticipating, knowing the craft and be there right on spot.
Shooting static situations, landscapes or dead objects is less challenging (to me).
You might need to wait for the right light or pick an interesting angle / perspective.
But it's a little bit like shooting a sitting duck.
A building, a landscape or a dead object can't run away, it changes less than a human in motion.
Density of (visible) pulses is far inferior to human life.
Therefore it is less challenging to get amazing images of (rather) static things.
821
Marathon
2016
822
Bring me some water
2016
823
Ultra high performance Startup CEO
2016
824
Tequila
2016
825
Boy, Girl and Schwalbe
2016
826
Ahead
2016
827
BAB 2 Roadside
2016
Taking color from an image elevates specific moments.
Photography has its roots in Black and White.
Godard refers to this in "Histoire(s) du cinema" as being the ultimate contrast between light and dark, life and death.
Besides cultural imprinting, this might be a reason why we appreciate Black and White photography as a truthful way to freeze time.
Photography has its roots in Black and White.
Godard refers to this in "Histoire(s) du cinema" as being the ultimate contrast between light and dark, life and death.
Besides cultural imprinting, this might be a reason why we appreciate Black and White photography as a truthful way to freeze time.
828
By the sea
2016
829
Jacobo Sucari and Actor friend
2016
830
Annika Laughing
2016
831
Candlelight Profile
2016
832
Didier
2016
833
Woman with walking aid passing
2016
834
Josh smoking
2016
835
Armando
2016
836
Street artists
2016
MORE PHOTONS:
801
Do the Dont's
2016
